“Keyboard Fingering and Interpretation: A Comparison of Historical and Modern Approaches.” Performance Practice Review 13 (2007).
Some fingerings are more gestural than others, more congruent with the articulation and phrasing they are meant to execute. Other fingerings are more conducive to long lines and thus indifferent to localized articulations. The fingerings of C.P.E. Bach, Beethoven, Chopin, and Schenker tend to fall into the former category.